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Baylor BU Martin Museum of Art Exhibitions Past Exhibitions BFA Senior Exhibition Spring 2025 Soph Collins | Graphic Design
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Soph Collins | Graphic Design

Project Statement | Stinkweeds

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Soph Collins BFA SP25 Portrait

Stinkweeds is an independent record store located in uptown Phoenix, Arizona. Established in 1987, they provide music lovers with quality new and used records, CDs, and cassettes. With the wide range of music being sold from a wide range of genres and eras, Stinkweeds needs to capture that scope of history while still appealing to modern, and increasingly younger, music collectors. The ambience of the store, both inside and out, has inspirations in 90s grunge, while the signage draws more on 50s aesthetics; though that may seem to clash, when applied, the two work well together. This seamless combination of cool and playful is essential to the character of Stinkweeds as a small business primarily serving local customers, and it had to carry over into the redesign. With a store like this, it’s difficult not to completely eradicate its undeniably intimate and personal feeling by overhauling the branding. I hesitated to start redesigning anything because I’m very fond of the original branding, which isn’t tied down by rules; however, it is a wonderful challenge to redesign something I like quite a lot, and to attempt toeing the line between cohesion and a lack thereof. 

The major goal of this project was to keep the eccentricities of Stinkweeds alive. It was important that the new logo retained its mid century flair with the thin, slab-serif type, along with the shape behind it, which looks like a flat record. I customized the type and stretched the serifs to create a more unique, bouncy look and made the serifs of the ‘k’ and ‘w’ form a needle over a record. The original logo has four pointed stars, so to carry that over into the redesign, I created a simple, eight pointed star that fit the secondary geometric typeface, Compagnon Roman. This typeface satisfies the 'cool’ part of the ‘cool and playful’ equation, and it is used for any body text as well as for a simpler secondary logo. There are certain elements of the branding that shift, others that are stable, and some that would simply be up to the staff. The bright green color is a through line, but the logo varies. The star becomes a motif, but the prices on the tags are always handwritten. Any illustration is free to ebb and flow when it comes to style. In the end, I’m confident I kept Stinkweeds’ unique flare while bringing together elements that add cohesion. 

 

Selection of Work:

Soph Branding

Soph Collins, Personal Identity, 18" x 12"

Soph Collins Tshirts

Soph Collins, Stinkweeds T-shirt, 25" x 28"

Soph Collins Wispun Yarn

Soph Collins, Wispun Yarn Packaging, Various Sizes

Soph Collins Wispun

Soph Collins, Wispun Yarn Quick Reference Guide, 24" x 14"

Soph Collins Souza 1

Soph Collins, Indigo De Souza Editorial, Magazine Spread, 10" x 16"

Soph Collins Souza 2

Soph Collins, Indigo De Souza Editorial, Magazine Spread, 10" x 16"

Soph Collins Saguaro

Soph Collins, Saguaro Playing Cards, Cards and Boxes, 3.5" x 2.5" each

Soph Collins Ripley

Soph Collins, The Talented Mr. Ripley, Poster, 36" x 24"

Martin Museum of Art

Hooper-Schaefer Fine Arts Center
60 Baylor Ave
Waco, TX 76707

martin_museum@baylor.edu
(254) 710-6371
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Baylor BU Martin Museum of Art Exhibitions Past Exhibitions BFA Senior Exhibition Spring 2025 Soph Collins | Graphic Design
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  • Exhibitions
    Back
    • Current Exhibitions
      Back
      • A New Language: Salvatore Meo’s Found Object Assemblages, 1948–1978
      • Threads of Transformation: Debbie Carlson
    • Upcoming Exhibitions
    • Past Exhibitions
      Back
      • BFA Senior Exhibition Spring 2025
        Back
        • Ashley Lillian | Graphic Design
        • Ellie Cerwin | Painting
        • Hayley Koumjian | Graphic Design
        • Katie Bedewi | Graphic Design
        • Madalynne Meeker | Photography
        • Sarah Kate Bond | Painting
        • Sharon Almon | Painting
        • Soph Collins | Graphic Design
      • 400 Degreez: The Act of Making Nothing Out of Something
      • Baylor Art Student Exhibition
        Back
        • About the Juror
      • Without Margins
      • William Downs: Truth in Body
      • The Hammer That Shapes Reality
        Back
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      • CLICKBAIT! A Treasure Trove of Pulp Fiction Cover Art
        Back
        • Curitorial Insights and Student Voices
      • In Pursuit of Light: Women in Photography from the Permanent Collection
      • 2024 Biennial Faculty Exhibition
      • Narrative as Reality: Constructing an Identity
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      • Jason Bly: Curriculum for a Better Tomorrow
      • In the Ring: Goya's La Tauromaquia
      • Coming Home: A Retired Faculty Exhibition
      • Paper Trail: Letterpress and Screenprinted Posters
      • 2022 Faculty Biennial Exhibition
      • The Art of the Landscape
      • Revisiting Audubon: An American Naturalist
      • The Floating World
    • Exhibition Publications
      Back
      • 2024 Biennial Faculty Exhibition Catalog
      • Narrative as Reality Catalog
      • Baylor Art Student Exhibition Booklets
      • In the Ring: Goya Catalog
      • Audubon Catalog
      • Neoclassical Gaze Catalog
      • Emergence Exhibition Catalog
      • 2020 Faculty Biennial Exhibition Catalog
      • 2022 Faculty Biennial Exhibition Catalog
      • The Floating World Booklet
      • Finding Oaxaca Exhibition Booklet
    • Submit an Exhibition Proposal
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